M^C^O: You can bet on it!

Artist Vanessa Rosa tells about her experience as artist-in-residence at the occupied cultural centre M^C^O, Milan. After the interview with Dorberto Carvalho of Sao Paulo's Casa Amarela, Transnational Dialogues keeps addressing the issues of spaces of artistic production in global cities.

Painting and drawing for me is a way to feel connected to the space where I am in, as if it were a reaction to the sensations caused by the context. Thus, it is a great pleasure for me to be able to paint whenever I am passing through new cities, especially when the act of painting is not a solitary observation, but a way to interact with people. I can almost feel to be part of a city, once I can develop an artistic project in it.

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Cildo Meireles. Behind the Surface

Today at HangarBicocca, Milan, it has opened Installations by Cildo Meireles, an “installation of installations”, “cacophonic and experiential”, in the words of its curator Vicente Todolí. Twelve works by Brazilian artist Cildo Meireles occupy the space of HangarBicocca, ranging from a microscopic cube with 9 mm sides (Cruzeiro do Sul, 1969-1970) to a gigantic labyrinth which includes iron fences, barbed wire and broken glasses (Através, 1983/1989). The exhibition is there to stimulate the senses, but it is the intellect that is constantly challenged by Meireles’ artworks.

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Ocupações culturais em São Paulo, Brasil

Em meados de fevereiro coletivos de artistas ocupou para finalidades artísticas uma casa pertencente à União, tombada pelo Patrimônio Histórico, na região da Consolação, em São Paulo. Desde então várias atividades culturais, debates vem acontecendo na Casa Amarela, como ela ficou chamada. Arte-educadora Malu Andrade conversei com Dorberto Carvalho, um dos idealizadores do movimento para saber mais sobre o movimento, o que pretendem e como ele vê a integração com os outros movimentos que também pensam a cidade artisticamente.

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Transnational Dialogues @ MAC Niteroi

Join us for a long afternoon of discussions on “Change Utopia!” at MAC Niteroi, on Friday 21st February, 15H30-19H00. Before the talk starts, you can visit Carlo Vergara’s exhibition Sudario at the presence of the artist.

Protests in Brazil, crisis in Europe, political stagnation in China. Our current social, economic, and cultural models are failing us everywhere. Artists, philosophers, and cultural practitioners have historically been at the heart of a drive to radically critique the present and imagine alternative futures, positing a radical break and fostering new forms of living together and new scales of values. This final event of the Transnational Dialogues Brazil series brings together an international group of artists, theorists, and activists to discuss the role of creativity and the arts in imagining and opening up alternative futures. Session 1: Change Utopia! Brazil, Europe, Russia, and China between global markets and the search for new development models. Session 2: Protest! Politics, Arts, Imagination. Session 3: Spaced out: Cultural policies and urban space

21st February 2014, 15:30-19:00
Transnational Dialogues @ MAC Niteroi
MAC Niteroi, Mirante da Boa Viagem, Niterói – RJ

In collaboration with: MAC De Niteroi and Prefeitura de Niteroi

 

 

At Studio-X Rio: Artists’ Interventions and Processes of Urban Regeneration

On February 20th (10-12 AM) at Studio-X Rio, Barbara Szaniecki (Italy/Brazil), Ren Han (China), Pedro Rivera (Brazil), Robin Resch (Germany), and others, will discuss on artist interventions and processes of urban regeneration. You are invited to join us in this truly transnational dialogue.

Description
By upgrading its city centre and restructuring the area around Porto Maravilha within the framework of the Olympics 2016, and more generally revitalizing and displacing lower income neighborhoods, Rio applies a narrow planning strategy attempting to boost international investment and augmenting its symbolic capital as a competitive global city. Transnational Dialogues wants to discuss these urban transformation processes within a global perspective. After short inputs on the local situations in Europe and China, the discussion will focus on how artists and activists research, comment and intervene around this ambivalent set of transformation processes.

20th February 2014, 10:00-12:00
Intervenções artísticas e o processo de regeneração urbana / Artists’ Interventions and Processes of Urban Regeneration
Studio-X Rio, Praça Tiradentes, 48, Rio de Janeiro

Russia, Europe, China and Brazil: The artist, the market, the State

You are all invited to come and discuss on independent art spaces with contributions from China, Russia and Europe at Casa Do Povo, Sao Paulo, on Tuesday 18th February, 20h00-22h00.

The discussion will depart from an analysis of the Chinese context, in which the market and State – most often materalizing as a single, Leviathan-style, entity – do not leave space for independent creation, in particular when political or social issues are involved. Experiences from all over Europe, China, Russia, and Brazil, will be brought forward with the hope of identifying a transnational resistance against the State-market oppression from artists, intellectuals, but most of all from the people to which art and culture speak to.

Speakers include: Mariana Lorenzi (Casa do Povo), Luigi Galimberti (Transnational Dialogues), Maurício Coronado (Baixo Centro), Chiara Tinonin (The Art Newspaper), Maria Monteiro (Casa Juisi Phosphorus), and Anna Arutyunova (Vedomosti.Friday).

18th February 2014, 20:00-22:00
Auto-gestão, espaços de arte comunitários e independentes / Self-managing, Independent, and Community Art Spaces
Casa Do Povo, Rua Três Rios, 252, Bom Retiro, São Paulo

The Mind Factory by Emilija Skarnulyte

Public Events in Sao Paulo and Rio de Janeiro

Four main public events will  be part of the Brazilian Caravan of Transnational Dialogues 2014. The discussions, held in English and Portuguese and whatever language makes our participants able to communicate with each other, will tackle the issues of art and protests, independent art spaces, governmental policies in the cultural and creative sectors, urban regeneration and more, in a truly transnational perspectives with contributions from artists, curators and researchers from Europe, China and Brazil.

You may download the invitation at the following link:

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The Making of a Logo: From Finland to Brazil

As it has been recently announced, Transnational Dialogues now sports a brand new logo. Despite its unique character and elegant style, the former logo – for which we are still very grateful to its excellent designer, Lorella Pierdicca of LLdesign – could not keep up with the recent evolution of the project, which went from being a Sino-European think-tank to a truly transnational exchange platform for art and culture. Therefore, a new logo was needed. But, as it is rather common in our approach, it came spontaneously and adventurously.

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TD Keeps Crossing Borders

After three years since it has started, Transnational Dialogues presents its brand new logo.

Far from being a mere graphic restyling, this change represents the evolution of the project from a Sino-European think-tank to a truly transnational platform for art and culture. While keeping its headquarters in Europe (London, Paris and Rome) and China (Beijing and Chongqing), in 2014 Transnational Dialogues goes to Brazil, but is already expanding its network in other areas of the world (e.g., Myanmar).

Transnational Dialogues is a unique project which brings together artists, curators, art managers and researchers from a wide array of disciplines. It promotes sharing of information, networking, and conceptual collaboration in a truly transnational fashion among individuals and organizations. The project, which has started thanks to the support of the Youth in Action Programme of the European Union, now relies on an articulate network of partners and funders, which sustains its activities throughout the world.

Keep following us on our website and Facebook page for constant updates.

Deja Vu (Sweeping Gulou) — A Performance in the Streets of Beijing

On May 1st, 2013, Chinese and foreign artists joined for a restaging of the Beuys’ performance that took place in Karl‐Marx‐Platz, West Berlin, on May 1st, 1972. An impromptu artistic action touching the issues of labour, migrants, communism and capitalism at the very heart of Beijing has been here documented.  Continue reading Deja Vu (Sweeping Gulou) — A Performance in the Streets of Beijing